Hello! I am so glad Spring Break is here! Woot woot! I am currently a little under the weather right now, but I am so glad I have a wonderful author here on our blog today. I met Shaila Patel a couple of weeks ago at the Southeastern Young Adult Book Festival, and it was so awesome to meet her! She is one of the nicest author I’ve ever talked with, and I’ve loved our little chats. I loved her debut book Soulmated, and she is giving away an e-copy of her book along with some swag. The swag is great; I have some at home and I love them! Hope you enjoy!
Two souls. One Fate.
Eighteen-year-old Liam Whelan, an Irish royal empath, has been searching for his elusive soulmate. The rare union will cement his family’s standing in empath politics and afford the couple legendary powers, while also making them targets of those seeking to oust them.
Laxshmi Kapadia, an Indian-American high school student from a traditional family, faces her mother’s ultimatum: Graduate early and go to medical school, or commit to an arranged marriage.
When Liam moves next door to Laxshmi, he’s immediately and inexplicably drawn to her. In Liam, Laxshmi envisions a future with the freedom to follow her heart.
Liam’s father isn’t convinced Laxshmi is “The One” and Laxshmi’s mother won’t even let her talk to their handsome new neighbor. Will Liam and Laxshmi defy expectations and embrace a shared destiny? Or is the risk of choosing one’s own fate too great a price for the soulmated?
About the Author
As an unabashed lover of all things happily-ever-after, Shaila Patel’s younger self would finish reading her copy of Cinderella and fling it across the room because it didn’t mention what happened next. Now she writes from her home in the Carolinas and dreams up all sorts of stories with epilogues. A member of the Romance Writers of America, she’s a pharmacist by training, a medical office manager by day, and a writer by night. Soulmated is her debut novel and the winner of the 2015 Chanticleer Book Reviews Paranormal Awards for Young Adult. She loves books, craft beer, tea, and cozy window seats—but she’ll read anywhere. You might find her sneaking in a few paragraphs at a red light or online gushing about her favorite books.
Publisher Information:Month 9 Books
Represented by: Agent Amanda Leuck of Spencerhill Associates
Avoiding the Traps in Writing Romance
Hi Kester! Thank you for having me here today to talk about avoiding clichés and stereotypes in writing romance.
As a romance writer and a huge fan of romance novels, I can say with certainty that there are no original tropes. A trope is a scenario or plot device, and in love stories they form the foundation on which the romance is built. Examples include the girl falling in love with her brother’s best friend (or vice versa), or the rich, spoiled hero who falls for the one girl who hates him, or even the classic love triangle where a heroine has to choose between two boyfriends.
All romances are based on a trope, yet despite the predictability, we fall in love with a particularly romance novel because it doesn’t feel like the same old story. And that’s probably because it avoided using clichés and stereotypes that usually leave us uninspired and bored. Imagine eating steamed broccoli, or steamed carrots, or steamed cauliflower every night at dinner. Sure, they’re different vegetables, but having them prepared the same way doesn’t get you excited about sitting down to dinner. The same thing can happen in writing.
So how do you avoid the blahs in writing a romance?
Start by subverting the reader’s expectations. Let’s take the example of Beauty and the Beast. Why not make the beast the heroine instead of the hero? Why not move the story into the present day? Or what about making the beast a Hollywood A-list celebrity instead of a recluse? Now you’d have a story that would spark the imagination and make you forget that you already know what it’s all about.
Once you’ve subverted the reader’s expectations of the trope being used, create characters that can’t be contained on the pages of your book. It’s inevitable that you’ll use a few clichés and stereotypes, but don’t rely on them. Instead, captivate your readers with images and characterizations that force them to spin their expectations until they’re dizzy.
Here are three ways you can do that.
First, create fresh character descriptions. By their very nature, clichés and stereotypes don’t inspire us to think. They’re like shortcuts that are overused and instantly tell us what thought, description, or idea is being conveyed. If I were to describe a character’s hair as “golden locks,” you’d know I was describing blond hair. But does it paint a picture in your mind? Not really. How about this: “hair like garlands of pale yellow primroses.” Paints a different picture, doesn’t it?
Second, develop your characters by adding depth. Create an interesting backstory and personality flaws that—again—subvert the reader’s expectations. Taking the trope I mentioned above (the rich, spoiled boy who falls for the girl who hates him), maybe his backstory is that he was poor as a child. Or maybe he’s struggling with turning his parents in for their illegal activities. Why not make him insecure to counter his confidence? Or even embarrassed by a learning disability? There’s nothing more ho-hum than a one-dimensional, perfect character. It leads writers to fall back on expected character-types that you’d find for specific romance tropes, but worse, it makes the story predictable.
Third, have the expected character-type change and grow. If the hero or heroine doesn’t, you run the risk of having flat characters that do nothing to jazz up your trope. Do you have a brooding male hero? Give him a quirky hobby like doing magic tricks. With an interesting backstory, the reader would know why the hero loves the sleight of hand involved with card tricks, and by the end of the story, it could be part of the reason he grows and changes. Do you have a shy heroine? Give her an unexpected cause to champion and allow it to be one of the reasons she transforms by the end of the story. Parallel the hero and heroine’s growth, and intersect them when you need to advance the romantic plot. The goal is to have readers cheering for the hero and heroine, both as individuals and as a couple—all so that they won’t be thinking how predictable the trope is.
Using a romance trope in the same way that it’s always been used is like an uninspiring cliché. It doesn’t create a fresh image in our minds. It isn’t engaging. And if you can’t engage a reader, they’ll likely forget what they read.
And who would want to read a book like that?
Thank you so much, Shaila, for coming onto our blog! I’m so glad to have you guest post for us!
If you want to check out Shaila’s social media pages or buy Soulmated, check out the links below!
Buy Links for Soulmated:
Now onto the giveaway! Woo hoo! I think you should enter this giveaway because I loved Soulmated A LOT! I mean A LOT! It was amazing! You’ll really enjoy it!
Just a few quick rules:
1) This is open to ALL International residents. For US Residents, you will get more swag than Int’l residents because of postage.
2) You must be truthful when entering!
3) You must be 18 years or older or have parental permission.
4) Winner must respond within 48 hours of me notifying him or her.
Here’s the Giveaway Link!
I wish you the best! Hope you have fun! 🙂