Exclusive Interview with Rob Vlock, MG Sci-Fi Author of Sven Carter & the Trashmouth Effect

Hi guys! School for me starts in just a few days, and I’m super excited yet unready at the same time. I’m still in shock that I am a senior–yes, a high school senior! It’s still unbelievable, and I know this year is going to be full of craziness, fun, stress, and excitement. Speaking of craziness, fun, stress, and excitement, today I am inviting Rob Vlock on the blog to talk about his debut novel Sven Carter & the Trashmouth Effect, which is an exciting Middle Grade adventure full of, basically, epicness. I hope you enjoy this interview and check out his awesome book!


About the BookSven Carter & the Trashmouth Effect

Sven Carter—part boy, part robot—is on a mission to save himself from destroying the human race in this fun and funny MAX novel!

Ever since Sven Carter was caught eating a moldy blueberry muffin under the gym bleachers, earning himself the nickname “Trashmouth,” he’s been his school’s biggest outcast.

But he soon discovers that having a lame nickname is the least of his worries. After a horrible wipeout involving a bike, a ramp, and a chocolate-anchovy-garlic-mint wedding cake (don’t ask), his left arm just…well, it falls off. But before Sven can even remove the stray anchovy from his nostril, his arm drags itself across the pavement and reattaches itself to his shoulder!

That’s when Sven learns he’s not a kid at all, but a “Tick”—a high-tech synthetic humanoid created as part of an elaborate plot to destroy the human race. Now Sven, his best friend Will, and his tough-as-nails classmate Alicia must face down a host of horrors—killer clown-snakes, a giant Chihuahua, the stomach-churning Barf Bus, murderous roast chickens, and even Sven’s own brain—to save humanity from permanent extinction.

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1. Why do you love writing? When did you first have a love for writing, and how was it formed?

Writing for me is such a delightful escapist activity. When I’m focused on writing a novel, everything else just sort of fades into the background. No matter what might be bothering me in the real world, I can stop thinking about it and sink myself into the world I’m creating for my characters. I can’t remember a time I didn’t like creating stories. I think it all stems from growing up in a family that loved books. When I was in elementary school, I used to write and record silly radio programs. Later, I’d make movies with my dad’s super-8 movie camera. Eventually, I worked as a copywriter and creative director in the advertising business. I guess writing novels just seemed like a natural next step for me.

2. What are your favorite books, genres, and authors? Which ones have impacted you and your writing style the most?

I love so many different genres, it’s hard to single one out. But science fiction is way up near the top of the list. I mostly read middle-grade fiction these days, and I LOVE it! But I’m also usually reading some adult fiction and graphic novels at the same time—I tend to juggle books. My favorite books? Wow, that’s not an easy one to answer! I’ll always adore Melville’s Moby Dick. I reread that one every couple of years. But as for non-dead authors, one of my favorites in kidlit is Jonathan Stroud. His Bartimaeus and Lockwood & Co series are among my all-time favorite recent novels! If I had to pick a writer who most influenced my style, I’d go with Douglas Adams. He was so wonderfully absurd! I’d like to think he and I would have had a great time talking books and mashing our brains over a few Pan Galactic Gargle Blasters.

3. What do you do when you’re not writing? Is writing a part-time or full-time job?

When I’m not writing, I’m usually worried about the fact that I’m not writing! But I also do a lot of reading, I play trumpet in a jazz band and I love spending time hanging out with my kids. I wish writing were a full-time job for me, but like many authors, I have to supplement my income with a second job. I spend about 25 hours a week running a marketing consultancy—which is about as far from writing about killer robots as you can get.

Sven Carter & the Trashmouth Effect4. Your first novel Sven Carter & the Trashmouth Effect follows Sven as he discovers his identity as a part-robot, part-human “Tick,” only to quickly join two of his friends on a mission to save humanity from extinction. How do you explore themes such as bullying, figuring out one’s identity, and teamwork throughout your action-packed, laugh-out-loud MG sci-fi adventure?

I’ve always been interested in outsider stories. And Sven, as a Synthetic, is kind of the ultimate outsider—he feels like he’s the only one of his kind on Earth. So, while the book uses a lot of humor and action, it still takes the question of identity and bullying seriously. Coming to terms with who you are and how to become the kind of person you want to be isn’t easy for most kids, so I wanted to talk about it in a way that would be funny and exciting, but not heavy-handed.

Continue reading “Exclusive Interview with Rob Vlock, MG Sci-Fi Author of Sven Carter & the Trashmouth Effect”

Exclusive Interview with Supriya Kelkar, MG Historical Fiction Author of Ahimsa

Hi guys! I have a really special interview for you today, and today’s guest is Supriya Kelkar, author of her MG historical fiction debut Ahimsa. It is an amazing novel, and if you haven’t read it, you are missing out! Check out my review of Ahimsa here, and I hope you enjoy this interview and read this beautiful book!


About the BookAhimsa

In 1942, when Mahatma Gandhi asks Indians to give one family member to the freedom movement, ten-year-old Anjali is devastated to think of her father risking his life for the freedom struggle.

But it turns out he isn’t the one joining. Anjali’s mother is. And with this change comes many more adjustments designed to improve their country and use “ahimsa”—non-violent resistance—to stand up to the British government. First the family must trade in their fine foreign-made clothes for homespun cotton, so Anjali has to give up her prettiest belongings. Then her mother decides to reach out to the Dalit community, the “untouchables” of society. Anjali is forced to get over her past prejudices as her family becomes increasingly involved in the movement.

When Anjali’s mother is jailed, Anjali must step out of her comfort zone to take over her mother’s work, ensuring that her little part of the independence movement is completed.

Inspired by her great-grandmother’s experience working with Gandhi, New Visions Award winner Supriya Kelkar shines a light on the Indian freedom movement in this poignant debut.

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1. Your MG debut novel Ahimsa, which follows Anjali as she and her mother join the nonviolent Indian Freedom Movement, was inspired by your great-grandmother who worked with Gandhi and other political leaders as a Freedom Fighter. Could you share with us a bit about your great-grandmother and how her life of perseverance and activism led to the creation of Ahimsa?

My great-grandmother’s background is very similar to Ma’s in Ahimsa. When Gandhi asked each family to give one member to the nonviolent freedom movement, my great-grandfather was running a business and couldn’t go because they needed the income to survive. So my great-grandmother decided she would join. She fought for women’s rights and for the impoverished communities in her region. She was arrested by the British for leading a protest and remained imprisoned until Gandhi negotiated the Gandhi-Irwin pact, which allowed non-violent political prisoners to be released from jail. After India’s independence, she went on to become a two-term congresswoman.

In 2003, when I learned more about her, I really wanted to write a screenplay about her story, a biopic. But no matter what I did, I couldn’t get it to work. Then I thought it should be a fictional story and tried to tell it from the point of view of a freedom fighter’s daughter. That still wasn’t working. That’s when I decided to give the story a try as a novel. Ahimsa was the first novel I ever wrote and it didn’t get published until fourteen years after the first draft was written!

2. What attracted you to historical fiction as an author and a reader? Why do you believe it is important to shed light on events such as the Indian Freedom Movement to young readers?

It’s so interesting to me how much there is to learn from historical fiction, and how relevant the genre can be. I didn’t even realize the social justice parallels in my book until more than a decade into revisions on it. I think it is important to shed light on events such as the Indian Freedom Movement so young readers can not only learn a little about historical events that are often lightly touched upon in a school curriculum, but also so young readers can learn from them and apply the lessons of the time period to today’s time.

3. How have your personal experiences dealing with racism as you grew up shaped Ahimsa? What do you want readers to take away from your debut novel?

AhimsaA few years ago, a childhood friend on Facebook was talking about how differently some people were treated by the police, based on the color of their skin. And almost everyone who responded from our high school said this wasn’t true. We grew up in a town that was all about being “color blind.” Race was not discussed (unless you were being bullied because of it), and everyone liked to talk about how they didn’t see color and everyone was equal. I was stunned. I finally wrote a long comment on his post to the other people about everything I went through, all the racist incidents that happened, all the racist comments from teachers, peers, kids younger than me, words written in permanent marker on my locker, and a brick thrown through our window. And none of the people I grew up with could believe any of this happened, even though it happened almost daily and in front of their eyes. This realization that I could walk the same halls of high school as other people but my experience could be so totally different, led to the scene where Mohan tells Anjali that although they walk on the same street, their experiences are totally different.

I want readers to understand from Ahimsa that if someone tells them something is hurtful or racist, they should believe it, even if they haven’t experienced it or seen it. I want them to be aware of their own prejudices and their own privileges and see where they can grow.  I also want readers to know that they are powerful and can make a difference in this world with their voice. And most of all, I want them to take away empathy from Ahimsa, and realize how much there is to respect and value in each person, from every background.

4. What were some of the challenges you faced during your research for Ahimsa? How has writing your debut helped you embrace and understand more about your Indian heritage and ancestry?

Anjali’s house is my father’s childhood home in India. But when I was describing things in it, I was describing how I remembered them in the 1980s and 1990s. Although most of it was accurate, since the house was around in the 1940s, there were small details I got wrong. I had only seen kitchen cabinets with a stove on top of them. But back in the 1940s, the cooking was done on the floor in that house. Luckily, my parents read the drafts several times and were able to point out any inaccuracies.

Another mistake was I had used my favorite Gandhi quote “Be the change you wish to see in the world” in the book. But it wasn’t until almost the very last edit, when I was triple checking every little detail, that I realized there is no proof Gandhi ever said that line. I had to remove it and find a quote that was actually documented as being said by Gandhi to replace it with.

Debuting with a story about Indian characters really did help me embrace my background more. For years I had written stories about characters that were not from my cultural background, because those stories were the ones that sold. It meant so much to me that now, a story like this could be published.

5. Which character in Ahimsa do you identify most with, and why?

I relate a lot to Anjali in that I can be stubborn at times and it takes me a while to learn from my mistakes. I also relate to Ma’s optimism and wish I were as brave as she was.

6. As a screenwriter for multiple Hindi films, how has your profession in the film industry impacted you as a writer? Would you like to describe to us some of your experiences working on your productions?

Supriya KelkarI had the great privilege of working with one of the biggest production houses in India, and one that knows the value of a solid screenplay. We would spend years on one script, revising it and having it get torn apart and then revising it again. As an impatient person, I learned a lot about how important it is to keep revising and not become attached to your words. You have to be able to throw out entire scenes and storylines and sometimes characters when you’re revising. I also learned a lot about the importance of plot and the importance of being entertaining while serving the plot thanks to the incredible directors and writers I got to work with.

 

7. Why do you love writing? When did you first have a love for writing, and how was it formed?

I have always been someone who loved to tell a story, and probably embellished my stories quite a bit as a child, so writing was a natural way for me to record those stories when I was younger. I first remember really loving writing in third grade, when our class wrote our own books, which our teacher bound into hardcover books. That’s when I first felt this huge sense of accomplishment for writing a story and the joy of being able to share it. It was also when I first heard some constructive criticism too. I couldn’t figure out how to get the characters out of trouble so right when things were at their worst, I had the main character wake up with a start and realize it was all just a bad dream. A family member told me she loved the story except for the ending. 🙂

8. What are your favorite books, genres, and authors? Which ones have impacted you and your writing style the most?

I don’t really have a favorite genre. As a child, I really enjoyed the Babysitters Club series and scaring myself with the Scary Stories to Tell in the Dark books. I was also really into this Indian comic book series called Amar Chitra Katha. Since there weren’t any books about Indian or Indian-American characters when I was growing up, I really enjoyed learning Indian history, folk tales and mythology from those comic books. In my late teens and twenties, I loved the Harry Potter books. And currently, I really adore picture books. I love how much can be said in so few words in them and think you’re never too old to read them. I was really floored by DU IZ TAK? by Carson Ellis. It is a book told totally in a made-up bug language and yet the reader is able to understand.

I don’t think any of the books in particular impacted my writing style. But I do think I learned about story and plot and character arcs from each and every one of them.

9. What do you do when you’re not writing? Is writing a part-time or full-time job?

When I’m not writing, I have my hands full with my three young kids. Writing is my only job outside of being a mother. I come from a screenwriting background, having studied it in college and then later going on to become a Bollywood screenwriter. I enjoy that I can make my own hours as an author, versus being a screenwriter. I actually write late at night after the kids have slept. It leads to groggy mornings and strange dreams but it’s worth it!

10. Are you a plotter or a pantser? Did you ever surprise yourself as you drafted and revised your book?

I am 100% a plotter thanks to my screenwriting background. I start with general story beats. Then I expand them into bullet points. And then I write paragraphs below each bullet point about the moments I want to have happen in each chapter. I do surprise myself as I draft each chapter when the writing leads to a new idea that has repercussions later in the book though. Those are fun moments that I always look forward to when writing.

11. Your upcoming children’s picture book The Many Colors of Harpreet Singh is set to release in 2019! What is it like making this transition from a Middle Grade novel to a picture book? What can we expect in your latest story?

Yes! I am so excited for it! I always wanted to be a picture book author and I still can’t believe it is actually happening next year. I learned the hard way that it isn’t easy to write a picture book, even though the word count is the equivalent of a page or two in a novel. The Many Colors of Harpreet Singh is about an Indian-American boy who expresses himself through colors. When he moves to a new town across the country, he uses his colors to navigate the various emotions he feels, from nervous, to shy, to finally feeling at home again. Alea Marley did the illustrations and they are stunning and adorable and I can’t wait to be able to share the book with everyone next year!

12. Before you go, would you like to share any advice you have to any aspiring authors or writers?

I would say to keep learning, keep revising, and never give up. Ahimsa took 14 years to be published, and the first draft was awful. It can be hard to not get attached to your words and be receptive to constructive criticism, but once you’re able to delete stuff with abandon and really take in constructive criticism, you might be pleasantly surprised with the results. I know I was.

Thanks so much, Supriya, for joining us today! It was so great to get to know more about you and your wonderful debut novel!


About the AuthorSupriya Kelkar

Born and raised in the Midwest, Supriya learned Hindi as a child by watching three Hindi movies a week. Winner of the 2015 New Visions Award for her middle grade novel AHIMSA, (October 2, 2017), Supriya is a screenwriter who has worked on the writing teams for several Hindi films, including Lage Raho Munnabhai and Eklavya: The Royal Guard, India’s entry into the 2007 Academy Awards. She was an associate producer on the Hollywood feature, Broken Horses. Supriya’s books include AHIMSA, THE MANY COLORS OF HARPREET SINGH (Sterling, 2019), and THE SANDALWOOD PYRE (Tu Books, 2020). Supriya is represented by Kathleen Rushall at the Andrea Brown Literary Agency.

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Happy Reading!

+ J.M.J.

~ Kester

Have you read Ahimsa? Do you like MG historical fiction?

Comment below, or find me in one of my social media pages, and let’s chat!

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Exclusive Guest Post with Mon D. Rea, Author of Elemental Ninjas, on “Over-genre-lized! (or Why I Genre Hop)”

Hi guys! Last week, I was in Singapore and I had an amazing time! These next few weeks, I’m going to be really busy since my family and I are going to do a bunch of traveling, so I’ll be less online that usual. But I have a few posts for you, and I hope you enjoy them! (I am also desperately trying to catch up on 8 sets of interview/discussion questions and 6 reviews, but I’ll get them done!)


About Elemental NinjasElemental Ninjas

Fight for Love. Fight for Destiny.

Born into warring clans, wind ninja Sakura and fire ninja Temujin walk paths that couldn’t be farther apart. But their separate worlds are thrown into chaos by the theft of Belshazzar’s Scroll, an ancient relic that grants its possessor the divine right to rule over all the clans. To bring back peace to their lands, they must learn to fight together against a new breed of mystical half-human, half-demon warriors.

As though proof that a blade of love can grow even in the harshest places, Temujin can’t help falling for Sakura. A ninja from the ice clan, Sasha, becomes his rival and seems to be a more suitable match for the beautiful wind ninja. Now, Sakura, Temujin, and Sasha stand in the heart of a conflict that shall decide the future of all the ninja clans.

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Over-genre-lized! (or Why I Genre Hop)

We can’t put books in boxes.

Well, actually, we can. But I mean, we can’t put a book into a pigeonhole. You know, the same way we can’t put people into a pigeonhole.

Take Star Wars for example. (I know it’s mainly a film series but bear with me.) There’s an argument for Star Wars actually being fantasy instead of sci-fi because it revolves around a hero’s quest. And George Lucas drew inspiration from Japanese director Akira Kurosawa’s samurai films. Just compare an image of Darth Vader’s helmet with the kabuto of samurai Date Masamune and you’ll see the resemblance:

Samurai

The samurais were medieval warriors in ancient Japan. They wielded single-edged curved swords called katanas. Does that make Star Wars part of the Sword and Sorcery subgenre of fantasy, the Force being a type of magic?

As the author of a series of ninja books, I’m tempted to say yes. But then there are all those gigantic space ships and you can basically turn the argument over on its head with a quote from Arthur C. Clarke:  “Magic’s just science that we don’t understand yet” and – boom! You’re completely flummoxed.

Authors face the same tough choice every time they publish a book. The whole process of creating something out of nothing and putting it into graceful words, bringing it into light, is nothing short of miraculous. But then the doctor – whether it’s Dr. Amazon, Dr. Wattpad or Dr. Publishing House – is going to announce: “It’s a fantasy!” or “It’s a sci-fi!” and your baby goes on to be lumped in a red ocean of other books where creativity and individuality go to die.

Now don’t get me wrong. Genre categorizations and BISAC codes are necessary. They’re like standardized exams in school. They’re not a perfect system but they’re the best we have. But when you’re the gazillionth Paranormal Romance between a human and a vampire or the umpteenth Post-Apocalyptic Dystopian YA Sci-fi, you start to wonder that maybe popular doesn’t really mean good.Soul City

I’ll give you a hint. The Post-Apocalyptic Dystopian YA Sci-fi category mentioned above, which includes heavyweights like The Hunger Games and The Maze Runner, didn’t use to be a category. But because of authors following their hearts and not getting bogged down by genres and labels, they created a niche all of their own.

At first, I thought my book (Soul City) was either Paranormal Romance or Urban Fantasy.

There was definitely something mushy going on between a supernatural character and a mortal. The thing was, he wasn’t a vampire; he was a reaper. Was he a shifter? Yeah, technically he had that power, but he’s more angelic than underworldly, you know.

Zombie ArcAnd then, upon closer look, I realized Soul City was too dark for the YA crowd that gravitate towards those genres. In fact, some parts were almost full-blown Stephen King Horror.

My second book was even trickier to classify.

The main character was a zombie but he wasn’t the grotesque and violent type always seen in Post-Apocalyptic fiction. Worse, he was a time-travelling zombie a la Dr. Who and he decided to time-jump to the Middle Ages. So there are all these themes just swirling there like animal parts in a witch’s cauldron. There’s Sci-fi, Humor, Fantasy, Adventure, Epic, a zombie, swords, magic etc. You get the idea.

My fifth book, the one after Elemental Ninjas, is Dreamscape Beta.Dreamscape Beta.jpg

It’s my foray into this mint-fresh genre called LitRPG. It’s Literature + Role Playing Games, if you still haven’t heard about it. My first impression of it is that majority of the readers are hard-core gamers who look for the same jargon, mechanics and gameplay they find in a Twitch stream. But Dreamscape Beta, as some non-gamers might infer from the title, has elements of lucid dreaming. So, again, my book fell right off the edge of certain readers’ expectations. And if there’s one thing you don’t want to do as a writer, it’s reaching the wrong readers and not meeting their expectations.

So, what do authors do in the face of total hybrid genre-hilation?

We genre-hop. Genre-hopping is, in my opinion, something natural and unavoidable for writers. The only thing that’s keeping us from genre-hopping right away is our complete devotion to one series or world but, given time, we’ll definitely hop.

Writers do what writers do best: We create. We imagine. We step out of the box and defy expectations. We build words to build worlds. We keep our readers in mind while following our hearts, and we let the BISEC codes sort out the mess.

I have a particularly pronounced case of genre-hopping because I write mostly Fantasy and Sci-fi and yet I have one Contemporary Romance novel or, as some people call it, Chick lit under my belt and I’m currently working on another. And did I mention I’m a guy?The Boyfriend App

In my mind, all 7 of my existing titles fall under the broad umbrella of Fantasy; even the Chick lit one, The Boyfriend App.

TLDR: I like to experiment and I’m not afraid of defying people’s expectations about what I can or can’t write. But most of all, I want my works to reach and affect as many readers as possible. Before I can do that, I need to find them and be willing to search for them in whichever cave or under whichever rock of labels and preconceptions they have.


About the AuthorMon D. Rea

Mon D Rea is an indie author who has written 7.5 books in a variety of genres but mostly YA Fantasy. He likes to write about ninjas, zombies and dragons. He’s currently working on a New Adult rom com titled “My Super Spy Girlfriend.” You can visit him on his website to get some free stuff: www.phenomenalpen.com

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Happy Reading!

+ J.M.J.

~ Kester

Have you read Elemental Ninjas? What are your thoughts on genre jumping?

Comment below, or find me in one of my social media pages, and let’s chat!

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Exclusive Interview with Mindee Arnett, YA SFF Author of Onyx & Ivory

Hi guys! I am a HUGE fantasy fan now. I used to have a strong dislike for the genre, but I’ve magically been converted as I read more books full of magic. One of the street teams I have been really active in this year is the Relay Riders for Mindee Arnett’s latest book Onyx & Ivory, which is super epic. Check out my review here on why you should read it! Today I invited Mindee on the blog to talk about Onyx & Ivory, and I hope you enjoy this interview!


About the BookOnyx and Ivory

They call her Traitor Kate. It’s a title Kate Brighton inherited from her father after he tried to assassinate the high king of Rime. Cast out of the noble class, she now works for the royal courier service. Only those most skilled ride for the Relay and only the fastest survive, for when night falls, the nightdrakes—deadly flightless dragons—come out to hunt. Fortunately, Kate has a secret edge: she is a wilder, born with forbidden magic that allows her to influence the minds of animals.

And it’s this magic that leads her to a caravan mysteriously massacred by drakes in broad daylight—the only survivor Corwin Tormane, the son of the king. Her first love, the boy she swore to forget, after he condemned her father to death. With their paths once more entangled, Kate and Corwin uncover secrets, both past and present, to face this new threat of drakes who attack in the daylight and the darker menace behind them.

Acclaimed author Mindee Arnett’s stunning new novel thrusts readers into a beautiful, expansive, and dangerous new world—one where trust is rare, magic is commonplace, and little is as it seems.Goodreads

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Mindee Arnett Interview

1. Why do you love writing? When did you first have a love for writing, and how was it formed?

My love for writing grew out of my love for reading and story in general. As a child, I started off telling myself elaborate stories with my toys, and when I hit the sixth grade my teacher gave me my first short story writing assignment. Once I figured out that “story” was an actual world I could get to just by putting my pen to paper, I knew I wanted to go there again and again. And that’s why I love it so much—it’s an escape into another world.

2. What are your favorite books, genres, and authors? Which ones have impacted you and your writing style the most?

Gosh, I have so many. Early on my biggest influence was adult fantasy writer Jennifer Roberson. Before her I loved Roald Dahl, Walter Farley, and C.S. Lewis. Nowadays one of my favorite writers is Maggie Stiefvater. I adored her Raven Cycle series as well as The Scorpio Races, and I find her writing very inspirational.

3. What do you do when you’re not writing? Is writing a part-time or full-time job?

Writing is a full-time job for any writer that’s actively publishing. But for me, I do have to hold down a regular full-time job in addition to the books. That definitely keeps me very busy, but in my free time I’m either hanging out with my family or riding my horses.Onyx and Ivory

4. Your latest YA fantasy novel Onyx & Ivory, which released from Balzer and Bray back in mid-May, is set in two points of view: Kate, an outcasted Relay Rider who possesses an outlawed magic, and Corwin, a crown prince scarred by past failures and mistakes. What are some of the biggest challenges of writing in the points of view of two unique characters? Would you consider yourself to be more like Kate or Corwin, and why?

Going into the book, I honestly had no idea how hard it is to write two points of view. I learned a lot about that process through this book—although I’ve still got plenty to learn. One unique thing about the story is that Kate and Corwin both have complete story arcs that intersect with one another but also standalone. Of the two, I relate to Kate a little more than Corwin. If only because she is a perpetual outsider. She never feels like she belongs in any of the groups she inhabits, and that’s a feeling I know well. I suffer from imposter syndrome so much. I also relate to Kate in how she has a troubled history with her father.

Continue reading “Exclusive Interview with Mindee Arnett, YA SFF Author of Onyx & Ivory”

Celebrating the 1-Year Book Birthday of Post-High School Reality Quest with an Interview with Meg Eden + Special GIVEAWAY

Hi guys! Today is the 1-year book birthday of Post-High School Reality Quest by Meg Eden, probably one of the most unique books you will ever read if you decide to pick it up. Well, today you have the opportunity not only to learn more about the story but also to win a copy of the book PLUS a narwhal mug and infuser. And you can’t say no to narwhals, can you? Enjoy!


About the BookPost-High School Reality Quest

Buffy is playing a game. However, the game is her life, and there are no instructions or cheat codes on how to win.

After graduating high school, a voice called “the text parser” emerges in Buffy’s head, narrating her life as a classic text adventure game. Buffy figures this is just a manifestation of her shy, awkward, nerdy nature—until the voice doesn’t go away, and instead begins to dominate her thoughts, telling her how to life her life. Though Buffy tries to beat the game, crash it, and even restart it, it becomes clear that this game is not something she can simply “shut off” or beat without the text parser’s help.

While the text parser tries to give Buffy advice on how “to win the game,” Buffy decides to pursue her own game-plan: start over, make new friends, and win her long-time crush Tristan’s heart. But even when Buffy gets the guy of her dreams, the game doesn’t stop. In fact, it gets worse than she could’ve ever imagined: her crumbling group of friends fall apart, her roommate turns against her, and Buffy finds herself trying to survive in a game built off her greatest nightmares.

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1. Why do you love writing? When did you first have a love for writing, and how was it formed?

I love writing because I’m compelled to do it, because it makes sense to me. It’s how I process, how I worship, how I communicate with the world around me.  I started “writing” in middle school when my friends wrote poems because they thought it was “cool.” But over time, I found writing as something that was my own and personal, and when a teacher told me I was a good writer, that encouraged me to become even more serious about it. As I began to discover my ASD in college, I realized that there are times that it’s very hard for me to be verbal. I became overwhelmed and overstimulated, and my first response was to write. It helped me calm down, as well as to find a way to improve how I communicated with others.

2. What are your favorite books, genres, and authors? Which ones have impacted you and your writing style the most?

I really love magical realism. Some of my biggest inspirations have been Japanese writers and writers of Japanese magic realism, like Haruki Murakami, Yasunari Kawabata, Shuntaro Tanikawa and Kelly Luce, as well as Studio Ghibli films. I add in Studio Ghibli because I think those films really taught me the power of silence, the power of slowing down the pace and taking a moment to pause. There are moments in Ghibli films, in the anime aesthetic at large, where there’s no music, no action, just a selah, a haiku moment between the audience and the environment. Maybe zooming into a flower or a bug, or a panoramic nature shot. As someone who writes both poetry and prose, this has definitely informed what I focus on in a scene, a moment, what details I care about and how I pace them.

3. What do you do when you’re not writing? Is writing a part-time or full-time job?

I recently started working full time with the Association of Writers and Writing Programs, and teaching creative writing on the side. Before, I really just taught part-time, giving me more time to write. But I’m finding that right now, the full time job gives me a sense of urgency to want to make the time to write, while before I was procrastinating a bit…

4. Your YA debut novel Post-High School Reality Quest is not the average novel; in fact, it infuses the basics of the traditional storyline with the format of a text adventure game! What inspired you to write your book in the form of a text adventure? Could you describe to us both the benefits and the challenges of utilizing this idea?

Post-High School Reality QuestSo it started with a friend casually saying “you should write a novel in the form of a text adventure game.” I tried it on a whim one day and found out I actually really enjoyed doing it! The benefit is that it naturally created tension between two voices: the parser and Buffy (the player), so it was very fast and easy to draft. It allowed me to view the story from a different lens–so I had initially written a very crappy draft of a story about these nerdy friends who all played RPGs in Merrill’s basement and shenanigans ensued. But nothing really happened. So the text parser perspective allowed me to view everything in a new way, and give bones to the story. As for challenges, I think the biggest one was to convince people, “Hey–it’s in second person, but it’s OK!” Personally, I found it a blast to write, but it breaks one of the sacred writing classroom rules, so it can be hard to adjust to.

Continue reading “Celebrating the 1-Year Book Birthday of Post-High School Reality Quest with an Interview with Meg Eden + Special GIVEAWAY”

Exclusive Guest Post with B. W. Morris, Author of Six Pack: Emergence, on “The Journey to The Six Pack Series”

Hi guys! I hope your summer is going off to a great start! Today I have for you a special guest post by B. W. Morris, author of The Six Pack Series, which includes both Emergence and Gyration. What is really cool about this guest post is that its four mini-posts in one! I hope you enjoy!


About Six Pack: EmergenceSix Pack Emergence

Just weeks before Tyler Ward is to graduate from secondary school, he learns the truth about Novusordo and how a drink controls the population. After sharing this information with his five friends, they visit a professor’s house, take another drink and gain strange powers. It leads to them learning more about how the government controls people and the discovery of a movement against the government. Calling themselves the Six Pack, Tyler and his friends must learn how their powers can change society. But they first must learn to trust this movement… and even each other.

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About Six Pack: GyrationSix Pack Gyration

Months after the Six Pack has fled City 37N104W, Tyler Ward wonders how much longer the Underground Network can wait before making its next move against the Novusordo government. His desire to take action is pushed after five more students disappear from Monroe Secondary School. And when he learns Professor Roger Woods is in trouble, Tyler is convinced the Six Pack must take matters into its own hands, even if it means defying the Network. But actions have consequences, and those that Tyler and his friends take will impact everyone they encounter – including themselves.

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B. W. Morris Guest Post

The Journey to The Six Pack Series

How did I come up with the idea for my new series, featuring teenage superheroes in a dystopian world? How did I manage to combine the two elements? And what in the world do two kinds of drinks have to do with events?

The journey to The Six Pack Series was long and interesting. At times I had to think about how the concept would play out and how everything would come together? It was about a four-year process from the time I had my first idea, to the completion of the final draft. A lot of elements came together and a lot of challenges had to be overcome.

Let me tell you about some of them.

Finding Inspiration in Comic Books

I was a fan of superheroes growing up, but my fandom came more from movies and TV shows. It wasn’t until I got older that I explored comic books and graphic novels. Along the way, I found inspiration from the animated TV series, Young Justice, and picked up some of the companion comics.

That TV series and comics gave me the idea for my own team-up of teenaged superheroes. What I really wanted to explore, though, was the teenagers beyond what it was like to be a superhero and having to face obstacles and challenges from a human perspective. That’s what made Young Justice special – you didn’t just follow the characters on missions, but on dealing with issues outside of the superhero life.

The idea of a drink giving them superpowers came to mind early in the process. All I needed was a setting. And that leads me to…

Drawing Up a Dystopia

Six Pack EmergenceAfter I read Suzanne Collins’ book The Hunger Games, I was intrigued by the world building and how she built tension and wrote so that you kept turning pages. That’s when I got the idea – what if these teenaged superheroes were going up against a controlling government?

And with the idea of a drink giving them powers before me, I wondered what would happen if the government had kept the people addicted to a drink that affected their brans so they couldn’t think for themselves. It provided the counterpoint to a drink that enhanced the brain – only the intent was to enhance the brain to greater influence other people. That it turned out to be a drink that enhanced the brain so that one’s greatest ability became more powerful was, in the story’s terms, not the plan.

But it allowed the superheroes to go up against somebody that wasn’t going to be that easy to take down, even if the opposition didn’t have superpowers. I’ve always found the most interesting adversaries for superheroes to be those who don’t have superpowers – and considering this government controls most of the population, the odds are stacked against our heroes.

The dystopian premise of the government controlling what people think poses what I think could be the greatest threat to a society – sure, it might sound nice on the surface if all people thought the same on every subject. But it comes at the cost of people being individuals, the chance to explore interests, discuss new ideas and debate what is the best route to take.

Turning Regular Teens Into Superheroes

Six Pack GyrationWhat presents a challenge for the Six Pack is not just how the members learn to control their powers – though I’ll admit it was fun writing about how they learned to do that. The Six Pack must also figure out who they can trust – they may know the government isn’t on their side, but will they be able to work with those people who want to bring change?

Just as importantly, can they learn to work with each other? Though the six are friends, they still have to learn what it means to work together to solve a problem. Tyler must learn what it means to be a leader, Jessica must learn not to harbor jealousy, Brad must learn to trust adults, Linda must learn not to be reckless, David must realize he needs to take a bigger role, and Stacy learns why it’s important to keep perspective.

So becoming a superhero is more than about the powers – it’s about what you do with them and how you learn to grow as a person.

Writing in Six Points of View

When I wrote my first draft, I used omniscient point of view, but learned early on that wasn’t going to work for a debut novel. But I believed it was important to get the viewpoint of each member of the Six Pack into the narrative, which meant switching to third-person limited.

The trick I had to figure out was how to transition from one scene to the next so that it would be easy for the reader to follow along with whose viewpoint was up. I’ll admit it was hard to get all six characters to the point in which people could understand what they were thinking and how they were reacting to events. You have to be good at writing characters to make sure each sounds as unique as possible.

I believed it was necessary, though, so people could get the best possible examination of what the world was like and how each member of the Six Pack saw his or her place in it. The majority is in Tyler’s viewpoint, but others get their chance to convey their viewpoints as needed.

For some, they may prefer a first-person POV or third-person POV limited to one character. But having read so many comic books and watched so many TV shows and movies based on superheroes, I find the best way to tell the tale is through multiple viewpoints. And when you are talking about a superhero team-up, you miss something with telling the story from just one character’s POV.

I want to thank Kester for allowing me to guest on his blog and appreciate all he is doing for authors. Please do check out The Six Pack Series and drop by my website to learn more!


About the AuthorB. W. Morris

B.W. Morris is a longtime writer for small-town newspapers who put his inner comic book geek to work through writing novels. Born in Texas but grew up in Colorado, he has lived in New Mexico, Oklahoma and currently resides in Kingman, Kan. Greg Weisman, Suzanne Collins, Stan Lee, George Orwell and Conor Friedersdorf all influenced his writing. Morris is a fan of the Young Justice animated series, the Arrowverse shows on the CW Network, the Marvel Cinematic Universe, the Star Wars films and more graphic novels than he can keep track. You can learn more about his love for science fiction at his website at bwmorrisauthor.com.

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Happy Reading!

+ J.M.J.

~ Kester

Have you read The Six Pack Series? What are your thoughts?

Comment below, or find me in one of my social media pages, and let’s chat!

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Exclusive Guest Post with Wendy McLeod MacKnight, Author of The Frame-Up, on “The World Behind the Frame”

Hi guys! Today I am at the Tennessee American Legion Boys’ State, where I will be marching and learning more about the inner workings about the government for the entire week. It is an honor to be representing my community this year! Today, I have a special guest post by Wendy McLeod MacKnight, the author of It’s a Mystery, Pig Faceand the upcoming release The Frame-Up, which looks so fascinating! Can you imagine traveling to the worlds inside paintings?


About the BookThe Frame-Up

Don’t let anyone know the paintings are alive. Thirteen-year-old Mona Dunn has adhered to that rule for almost one hundred years, ever since her portrait was hung on the walls of the Beaverbrook Art Gallery. So when the gallery director’s son, Sargent Singer discovers the truth, she’s sure she’d just exposed the gallery’s biggest secret. But Sargent, an aspiring artist himself, just wants to know more about the vast and intriguing world beyond the frames. With devious plots, shady characters, and grand art heists, this inventive mystery adventure celebrates art and artists.

Featuring sixteen pages of full glossy pictures of the masterpieces who are characters in the book, this book is a must-read and a useful tool for teachers and parents who want to introduce children to art and artists in a fun, accessible way.

The Frame-Up will release from Greenwillow Books on June 5th, 2018!

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Don’t miss her pre-order giveaway!


Wendy McLeod MacKnight Guest Post.png

The World Behind the Frame: The Frame-Up

I’ve always loved art.

From an early age, I was inspired by art, although I didn’t show a particular aptitude to make it myself (though I admit to the odd dabbling).

I remember visiting my grandmother as a little girl and seeing the portrait of my mother as a teenager on the wall.

Patsy Rider
Photo Courtesy of Wendy McLeod MacKnight

Yes, my mother is Patsy Ryder, the visitor in the story!

The girl in the painting was flat. I wondered what she was looking at. I wondered if she found the grownups conversations boring, as I sometimes did.

What was it like to be in there, behind the frame?

Creating the world behind the frame before I began to write the book was time-consuming.

The world of the art gallery was easy; I had only to wander around the Beaverbrook Art Gallery take notes.

For the world behind, there had to be rules.

First of all, there was the whole travelling between paintings business. I don’t explicitly spell it out in the book, because I want the reader to imagine how it works for themselves, but in my mind’s eye, there is a magical rabbit’s warren of hallways connecting the paintings to one another. Usually, the residents take their time going between the paintings, often times not entering another painting as they go, but other times, they simply walk from painting to painting, especially if the painting is a landscape.

And then there is the whole issue of what exactly is IN any particular painting.

Since the artist’s vision is supreme and what brings the painting to life, I decided early on that the only thing that existed in any given painting was entirely dependents upon what the artists was thinking about while he or she painted.

So Helena Rubinstein gets to have a few rooms at the back of her portrait, as well some cookies, because artist Graham Sutherland thought of them at the time he painted her.

Not so fortunate is a sketch of Somerset Maugham’s head. Since Sutherland was so focused on getting Maugham’s features right for the final portrait, he only thought of the head. The Maugham in the sketch will be forever dependent on the kindness of other residents to get him where he wants to be.

Depending on the imagination of the artist, the painting can go on far into the distance. For example, Mona Dunn ends up in the painting MerryMaking, and ends up travelling for miles on a bitterly cold winter day, thanks to Krieghoff’s imagination.  This is mostly true of all the paintings, though sometimes to almost comical lengths. In Dan Vigilio Lake Garda, John Singer Sargent doesn’t stock the café with chocolate gelato because the proprietor ran out of it on the day Singer visited!

Mona’s painting is very bare: a small throw, a stool, and a shadowy room. It is not wonder that she adores visiting paintings like San Vigilio, Lake Garda!

There are other rules in the world outside the frame: a resident should not go into another residents’ painting when they are not there without their permission.


About the AuthorWendy McLeod MacKnight

Wendy grew up in St. Stephen and wrote her first novel at age nine. She worked for the Government of New Brunswick for twenty-five years, ending her career as the Deputy Minister of Education when the siren call of writing became impossible to ignore. Wendy is represented by Lauren Galit of the LKG Agency in New York City. Her debut middle grade novel, It’s a Mystery, Pig Face! was published by Sky Pony Press in 2017. Her second book, The Frame-Up, a fantasy set at the Beaverbrook Art Gallery, was sold at auction to Greenwillow Books in a two-book deal and will be published June 5th 2018.

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Happy Reading!

+ J.M.J.

~ Kester

Are you excited for The Frame-Up? Do you like MG Fantasy?

Comment below, or find me in one of my social media pages, and let’s chat!

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A Special Mer-May LILbooKtalk Edition: “Mermaid Tales and Fairy Tales” with D. G. Driver and Tobie Easton

Hi guys! Today I am taking the third of my AP exams, AP Biology, and I am ready for them to be over! Also, I am having the end-of-school blues, especially since many of the seniors — who I’ve gotten acquainted to over this past year — are going to leave. I’m very sad about that. On the bright side, next week I am off to the TN Boys’ State, which is going to be tiring but worthwhile. During that time, I will be offline for the whole week, but in the meantime, here is the LILbooKtalk for the month of Mer-May: “Mermaid Tales and Fairy Tales” with D. G. Driver and Tobie Easton!


About Cry of the SeaCry of the Sea

Juniper Sawfeather is choosing which college to attend after graduation from West Olympia High School next year. She wants to go to San Diego to be far away from her environmental activist parents. They expect her to think the way they do, but having to be constantly fighting causes makes it difficult to be an average 17-year-old high school student. Why do her parents have to be so out there?

Everything changes when she and her father rush to the beach after a reported oil spill. As they document the damage, June discovers three humans washed up on the beach, struggling to breathe through the oil coating their skin. At first she thinks they must be surfers, but as she gets closer, she realizes these aren’t human at all. They’re mermaids!

Now begins a complex story of intrigue, conspiracy and manipulation as June, her parents, a marine biologist and his handsome young intern, her best friend, the popular clique at school and the oil company fight over the fate of the mermaids.

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About EmergeEmerge

Lia Nautilus may be a Mermaid but she’s never lived in the ocean. Ever since the infamous Little Mermaid unleashed a curse that stripped Mer of their immortality, war has ravaged the Seven Seas. Now Lia lives in a secret community of land-dwelling Mer hidden among Malibu’s seaside mansions and attends high school with humans. To protect everyone around her, she must limit her contact with non-Mer. No exceptions. But when the new girl sets her sights on Lia’s crush, she will risk exposing her deadly secret to stop Clay from falling in love with the wrong girl.

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LILbooKtalk May 2018

Questions are in bold

Kester: The first author we have today is the wonderful Tobie Easton, who I met last year at the SE-YA Book Fest! I loved the first two books in The Mer Chronicles and I cannot wait for the third installment in the series! Could you tell us a bit about yourself and your novels?Emerge

Tobie: Hi! It was so wonderful meeting you, too, Kester!  Your enthusiasm for the series has really meant a lot to me.  The Mer Chronicles series follows the descendants of the Little Mermaid and offers a peek into a world where Mermaids aren’t just real but live among us on land.

As for me, I like to think I write modern fairy tales.  I like books that feel magical whether that means they actually feature magic or just really immersive world- building. And, I’m a sucker for romance. 😉

Kester: That’s so awesome, Tobie!!! Thanks so much!

Today we also have the amazing D.G. Driver, who is a local Tennessee author living in Nashville! I devoured her Juniper Sawfeather series and loved the books! Would you like to share with us a bit about yourself and your books?

Cry of the SeaD. G.: Hi, Thank you for inviting me to be part of this chat. My series The Juniper Sawfeather Trilogy is about a teen environmentalist who discovers mythical creatures tied to her American Indian heritage. In book one, Cry of the Sea, she finds real mermaids caught up in an oil spill. I mostly write young adult and middle grade. I tend to favor contemporary fantasy stories.

Tobie: That sounds so cool, Donna!

D. G.: Thanks. Yours sound great too.

Kester: Here’s my first question for both of y’all: The Mer Chronicles and the Juniper Sawfeather series paint two very different images of mermaids, along with their characteristics and their culture. What inspired you to display mermaids the way you presented them in your book? Could you describe your process as you created your own “spin” on a beloved mythical creature?

D. G.: In Cry of the Sea, I wanted to make the mermaids come across as real creatures that would exist in the ocean today. They are more like fish than the fairy tale creatures in other mermaid stories. It was important to the story, because June and her family feel like people would help their fight against oil pollution if they found out mermaids lived in the ocean.

Tobie: I used the original Hans Christian Andersen version of the Little Mermaid as a jumping off point, but was also very influenced by the Malibu, California setting I chose for the story.

D. G.: I used to live in L.A. Very familiar with Malibu.

Tobie: So, my series has a sparkling, sunlit, ocean mansion-y feel but also addresses some of the darker, more haunting aspects of the original story.  With a healthy dose of siren mythology.  ‘Cause you gotta have mythology.

D. G.: Mythology is key. My books take place in Washington State, and they use American Indian mythology from the Pacific Northwest.

Kester: I loved the mythology in yours, D. G.. It was all so mesmerizing!

Tobie: That sounds really fascinating!

D. G.: Thanks. The mythology becomes more involved in books 2 and 3. No mermaids in book two, though.Whisper of the Woods

Tobie: Can you share which creatures will be in book 2, or is that hush-hush for now?

D. G.: No secret. The books are out. There’s and ancient tree spirit in book 2 that traps Juniper 170 feet up in an old growth tree. In book 3 the mermaids are back, along with shapeshifting orcas, and a monster made of stone.

Tobie: I love the idea of a tree spirit! So cool!

Continue reading “A Special Mer-May LILbooKtalk Edition: “Mermaid Tales and Fairy Tales” with D. G. Driver and Tobie Easton”

Exclusive Interview with Kristin O’Donnell Tubb, MG Author of “A Dog Like Daisy”

Hi guys! School is out in less than two weeks! I am super stoked for summer to come! I have AP exams next week (ugh) and after graduation, I’m off to Boys’ State! Woo hoo! This year has been really awesome for me, and not only have I grown so much with everything, but this blog has grown a lot. Even though it might not have the reach it once had last year, it means a lot more to me to be able to touch more hearts rather than to just reach out to them. That is truly what being a blogger is about.


About A Dog Like DaisyA Dog Like Daisy

Max meets A Dog Called Homeless in this sweet and poignant middle grade novel told from the humorous, thoughtful perspective of a rescued pit bull as she trains to be a service dog for an injured veteran and his family.

Daisy has only ten weeks to prove her usefulness or else be sent back to the pound. Yet if she goes back, who will protect Colonel Victor from his PTSD attacks? Or save the littler human, Micah, from those infernal ear muzzles he calls earphones? What if no one ever adopts her again?

Determined to become the elite protector the colonel needs, Daisy vows to ace the service dog test. She’ll accept the ridiculous leash and learn to sit, heel, shake, even do your business, Daisy when told to. But Daisy must first learn how to face her own fears from the past or risk losing the family she’s so desperate to guard—again.

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Kristin O'Donnell Tubb Header.png

1. Your latest novel A Dog Like Daisy, which released last summer, follows the story of Daisy as she tries to prove her usefulness as a service dog before being sent back to the pound. What was it like writing from an animal’s perspective, and how is it different from storytelling with a human’s point of view? Could you describe to us your approach as you created Daisy’s narration?

I love research, because it often gives me many plot points (hello there, “truth is stranger than fiction” adage!), and it sometimes even provides the voice of character. That was certainly the case for Daisy. I read while researching that some experts believe dogs experience the world as a human with synesthesia might – in other words, their five senses blend into something beautifully unique. Someone with synesthesia might see colors when they hear music, or experience a certain taste when they have intense feelings; something in their brain combines multiple senses exceptionally. When I read that – boom! – there was Daisy’s voice, in all its bacon-loving, color-hearing glory.

2. What inspired you to write a novel about service dogs? Would you like to tell us some of your experiences and adventures working with them?

Ideas are dust – they’re floating everywhere if you’re paying attention and look hard enough to find them. (From this statement it should be obvious that cleaning is WAY LOW on my priority list – ha!) The idea for Daisy came about when my dog was playing with a neighbor’s dog. She mentioned in passing that the man from whom she bought her Great Dane also trained dogs that assist veterans. I thought, “Hmmm. I wonder what that training looks like? I’ve read what service dogs can do, of course, but how do they learn it?” I’ve learned that when I say “hmmmm” to myself, it’s likely that others would say “hmmmm” to that same question. And that? That is a story idea.

I didn’t have personal experience with service dogs prior to researching Daisy, but one thing I’ve found in my decade of writing: people love to tell you about their passions, and those who train service dogs are very passionate about it. I was fortunate enough to chat with Katie Young, a trainer for Southeastern Guide Dogs (https://www.guidedogs.org), and she taught me gobs and gobs about training service animals. Since then, a Southeastern trainer came with a dog-in-training, Rickie, to Daisy’s launch party. I give out information about Southeastern at my book events. And a portion of all sales of A Dog Like Daisy goes to Southeastern for their amazing work. Needless to say, I believe in what they do.

3. In your book, Colonel Victor struggles with PTSD, but Daisy is there to protect him. Why do you believe it is important to portray mental illnesses such as PTSD in middle grade fiction, and in what ways do you want A Dog Like Daisy to impact readers, young and old alike?

A Dog Like DaisyOne review of Daisy captured something that I honestly hadn’t considered when writing the story; the reviewer said that approaching a topic like PTSD from a dog’s point of view makes the story a bit more approachable to a young reader. I agree with that; the story would be far different if the main boy character, Micah, had told it.

Many middle graders experience mental illness in their own homes, and some, in their own bodies. Since the release of Daisy, I’ve met a nine-year-old with PTSD, and her mother tearfully thanked me for writing a book for her age group that included a character with her same challenges. I’ve met a twelve-year-old whose father is a veteran; she told me she’s read the book four times and each time sees something new. I had a veteran who bravely writes speaks about his PTSD request that I join him and other veteran-writers on a panel, and he thanked me for writing this book for military families. I’ve even had a unit of disabled veterans buy copies of the book and donate them to their local library. Honestly, I’m humbled and honored by the response to this story. I’m just delighted that Daisy seems to be offering her service-animal skills far off the page, especially to people who have given so much of themselves to our country.

Kristin's Dogs4. Who are your favorite fictional and/or real-life dogs? Do you have any pets of your own?

Snoopy, for certain. I love the idea of him leading all these secret lives, while Charlie Brown thinks he’s simply lying atop his dog house, waiting for dinner. I can’t wait to see the Isle of Dogs – it looks gorgeous. And of course Dug from Up – “Squirrel!”

I have two dogs – Lucky and Cookie. I narrate their thoughts all the time; Lucky is goofy and lovable, Cookie is neurotic and headstrong. They are very much a part of our family. I’ve included a photo of them here!

5. What is your favorite part about the writing process (i.e. research, drafting, revising, creating characters, writing dialogue, etc.), and why?

Researching! I love discovering and learning new things, and research helps me make real-life connections to the thoughts and feelings I hope to convey in the story. That is the BEST feeling! Research helps me with voice, plot, characterization, setting – I always struggle quite a bit with writing if I don’t take enough time to soak in the aspects of a character’s world through research.

6. It is so great to meet another wonderful author from my home-state of Tennessee! What do you like most about living in the Volunteer State and the Nashville area, which both have amazing writer communities?

Nashville’s literary community is second-to-none! Between Parnassus Books (http://www.parnassusbooks.net), the regional chapter of the Society of Children’s Book Writers and Illustrators (SCBWI Midsouth; https://midsouth.scbwi.org), the Southern Festival of Books (http://humanitiestennessee.org/programs/southern-festival-books-celebration-written-word), and the best libraries and librarians in the known universe (including those who organize SEYA: https://www.seyabookfest.com), there is no shortage of incredible writing, writing workshops, and events that celebrate powerful stories. I love this community; readers and writers are the heart and soul of stories, and I’m delighted and honored that I get to be a part of it.

7. As a veteran author with multiple books published across various genres (contemporary, fantasy, historical fiction), how have your writing abilities transformed over the past few years? What are some of the most valuable lessons you have learned throughout your writing career?Kristin O'Donnell Tubb

Probably the most valuable lesson I’ve learned is that every book comes to life differently. Simply because The 13th Sign was written one way doesn’t mean that A Dog Like Daisy or The Story Collector will be written similarly. And I don’t mean voice or characters here – I mean the actual process of creating. Some books beg to be written long hand. Some books are written chunk by chunk, rather than in plot order. Some are outlined, other pour out of your fingertips. I think that’s why it can be so difficult for authors to give advice on “how to be a writer;” they are many different types of writers themselves!

8. Why do you love writing? When did you first have a love for writing, and how was it formed?

I think Liz Gilbert (author of “Eat, Pray, Love”) said it best on her “Magic Lessons” podcast: Writing is the only thing that, when I’m doing it, I don’t feel like I’m wearing a mask of any sort. I am fully, completely, 100% me when I’m writing. It’s when I feel most authentic.

I had an amazing opportunity when I was in sixth grade, thanks to my wonderful school librarian: I got to interview Madeleine L’Engle by telephone! (Yep!) When I told her I wanted to be a writer, she said, “Good for you! Keep reading and you can do it.” Well, when Madeleine L’Engle tells you you can be a writer, you give it a try! And you know what? My first poem, a haiku called “The Weeping Willow,” was published in a student anthology the very next year. I visit a lot of schools now, and I try to pay that same sentiment forward.

9. What are your favorite books, genres, and authors? Which ones have impacted you and your writing style the most?

Oh, picking a favorite genre is like picking a favorite flavor of ice cream! It just depends on what you’re in the mood for: Salted caramel? Creamy vanilla? Super-rich dark chocolate swirl? A Wrinkle In Time has a special place in my heart, for obvious reasons (see above) and I still say it’s my favorite book of all time. But recently I’ve adored The Poet X by Elizabeth Acevedo – I adore poetry, and would love to try a novel-in-verse someday. And I attribute Starring Sally J. Freedman As Herself by Judy Blume for my love of historical fiction; my favorite historical titles of late have been anything by Ruta Sepetys and Kimberly Brubaker Bradley (both Tennessee writers!). See? I can’t pick just one!

10. What do you do when you’re not writing? Is writing a part-time or full-time job?

There’s a time when a writer isn’t writing? J I feel like I’m always observing, always listening (read: always eavesdropping), with hopes that I can write better characters, build a better fictional world, tell a better story. But for some reason, that doesn’t feel like a full-time job to me; the actual writing happens around real life, in stolen quiet moments.

The Story Collector11. Your upcoming novel The Story Collector is slated to release this August from Henry Holt and Co. (BYR). What could readers look forward to in The Story Collector, and are there any secrets about it you would like to share with us?

EeeeEEEEeeee I’m so excited about this story! The Story Collector is based on a real-life girl, Viviani Fedeler, who was born and raised in the flagship building of the New York Public Library – the iconic one at 5th and 42nd, with the lions. She and her brothers have sleepovers, play in the stacks, hide from guards – all within the library. It’s a ghost story (many claim the building truly is haunted by a ghost named Big Red) and a mystery, based on a real-life stamp collection that was stolen from the library while the Fedelers lived there. The book also features photos from the NYPL (https://www.nypl.org) archives, a timeline, and gorgeous illustrations from Iacopo Bruno (http://iacopobruno.blogspot.com)

It’s also a story about a young writer who struggles to find her voice, which I think a lot of writers can relate to. So in that spirit, I’d like to share the first three paragraphs of the story:

Some people are story collectors. While others collect seashells, or stuffed animals, or stamps, story collectors wrap themselves in words, surround themselves with sentences, and play with participles, even those pesky, perky dangling ones. They climb over Cs and mount Ms and lounge in Ls. Soon enough they land in the land of homonyms, then, WHAM! They stumble into onomatopoeia, that lovely creaking, booming bit of wordplay – and that, Dear Friend, is where our story begins:

Crack!

The bat swung over Viviani Fedeler’s left shoulder, then clanged to the terracotta-tile floor of the New York Public Library. She shrieked and ran, red hair flying, nothing short of a firework whizzing about the bases.

The book is available for pre-order, and if you get it from Nashville’s awesome indie, I’ll sign & personalize it for you! Just put how you’d like the book personalized in the comment section upon check-out. Here’s the link:
http://www.parnassusbooks.net/book/9781250143808

12. Before you go, would you like to share any advice you have to any aspiring authors or writers reading this interview?

I firmly believe that EVERYONE – yes, EVERYONE – is a writer. (Now, whether or not you want to share your story is a personal choice.) You’re likely already doing the kinds of things that professional writers do on a daily basis: if you text, you’re writing dialogue. If you play video games, you’re worldbuilding. If you’re a rule-breaker, you’d likely excel at poetry. So first, think about the kind of writing you’re already doing regularly, that you already love, and hone that skill.  Then: get involved in your local community of writers! There is nothing like sharing your ideas with other writers to give you the courage to share your stories with the world. Best of luck, story collectors – I am cheering you on!

Thanks so much, Kristin, for coming onto the blog! It’s so great to have you here today!


About the AuthorKristin O'Donnell Tubb

Kristin O’Donnell Tubb is the author of The Story Collector series, A Dog Like Daisy, John Lincoln Clem: Civil War Drummer Boy (written as E.F. Abbott), The 13th Sign, Selling Hope and Autumn Winifred Oliver Does Things Different. She’s also written many activity books featuring well-loved characters like Scooby-Doo, Bugs Bunny, the Powerpuff Girls, and Strawberry Shortcake. Kristin lives near Nashville, Tennessee with her bouncy-loud family. Just like her two dogs, she can be bribed with cheese.

Kristin can be found far too often on Facebook, Twitter, and Instagram.  Oh, and she has a website, too.

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Happy Reading!

+ J.M.J.

~ Kester

Have you read A Dog Like Daisy? Do you like books set from an animal’s perspective?

Comment below, or find me in one of my social media pages, and let’s chat!

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Exclusive Interview with Melissa Ostrom, YA Debut Author of “The Beloved Wild”

Hi guys! Today on the blog, I am hosting one of the kindest and most supportive authors I have ever met, Melissa Ostrom. Melissa is the author of the YA historical fiction novel The Beloved Wild, which I loved and you can see why in my review here, and I am very honored to have her on my blog to talk to us about her debut novel! I hope you enjoy this interview, and please check out The Beloved Wild! (By the way, Ruta Sepetys blurbed it, in case you didn’t know.)


About the BookThe Beloved Wild

Harriet Winter is the eldest daughter in a farming family in New Hampshire, 1807. Her neighbor is Daniel Long, who runs his family’s farm on his own after the death of his parents. Harriet’s mother sees Daniel as a good match, but Harriet isn’t so sure she wants someone else to choose her path—in love and in life.

When her brother decides to strike out for the Genesee Valley in Western New York, Harriet decides to go with him—disguised as a boy. Their journey includes sickness, uninvited guests, and difficult emotional terrain as Harriet comes of age, realizes what she wants, and accepts who she’s loved all along.

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1. Your YA historical fiction debut The Beloved Wild, which released in March from Feiwel & Friends, follows Harriet Winter as she disguises herself as a boy to venture into the Genesee Valley as she overcomes prejudice, nature, and eventually love. As a local resident, what do you love most about living in that region? How did the valley allure you to use it as the setting of your debut?

I’m originally from Chautauqua County. The teaching position at Kendall High School brought me to this area, and I fell in love with its gentle landscape—the sweeping orchards, Lake Ontario, the cultivated fields that alternate with woodlands, and the historical features, like the Erie Canal and cobblestone houses. I felt like a pioneer, traveling to a new place and making it my home. The families of my students warmly welcomed me. Writing Harriet’s story (and recognizing the significant role the Genesee Valley played in our country’s initial wave of westward expansion) became a way for me to show my gratitude for that welcome and my appreciation for this location.

2. The Age of the American Frontier is a time period that is often overlooked in historical fiction. How did you first stumble upon the exodus of New Englanders flocking to the uncharted wilderness of New York? What are some of the most interesting things you learned from your research?

I’m fortunate to have some dear friends who happen to know a lot about our local history. Three in particular—Diane Palmer, Adrienne Kirby, and Sharon Root—shared significant stories about the early pioneers (to whom these women can trace their own ancestries!), and those tales definitely stirred my interest. My friends also shared family memorabilia, access to the archives of the Orleans County Chapter of the DAR, and powerful reading materials, like the settlers’ reminisces, compiled by Arad Thomas. These firsthand pioneer accounts proved quite useful and remarkable. Most of the early settlers were young—just teenagers with little money and few tools—but they possessed a great deal of gumption. They worked hard to eke clearings out of the wilderness and faced incredible trials while starting their farms. Their stories inspired me. I remember reading about one young man who had nothing but the clothes on his back and an axe in his hand when he broached the wilds of his purchased lot of land. He started with practically nothing and yet made something of himself. Amazing.

3. What would be your dream adventure? Where would you go and what would you do?

Oh, I’d like to travel around our country and visit other parts of the world. But lately I’ve been thinking about walking the length of the Erie Canal—simply packing a backpack and taking off for a while, breaking up the hike with stays in inns and visits to the waterway towns. I love going for long walks and usually cover around eight miles a day. It’d be fun to set out—and just keep going! My family (when my kids get a little older) would probably enjoy this adventure, too. The Beloved Wild

4. Before you wrote The Beloved Wild, you wrote many short stories for various journals. Could you describe to us the transition you made from writing short stories to writing a full-length novel? What are the specific benefits and challenges of creating a short story versus drafting a novel?

Actually, about nine years ago when I initially decided to try fiction writing, I started with a novel, not short fiction. The novel became the first in a series of four. I finished the entire quartet before shopping around the first book. When querying this piece didn’t win me an agent, I set aside all four and got to work on another novel (a standalone). Concurrently, I began to craft short fiction.

My initial reasoning behind the short-fiction enterprise was I need to beef up my credentials! I just held a couple of degrees in English lit and my teaching certification. I couldn’t mention publications, conferences, retreats, or even an MFA in a query letter because I hadn’t accomplished any of these things. Publishing short stories would rectify that, I figured. And I have managed to find homes in literary journals for many of my stories.

But something else (something more wonderful) happened as a result of this foray into short fiction: my writing skills improved. Perhaps due to their sparer frame, stories (those admirable ones written by others and the ones I endeavor to create) showcase precise language and an attention to detail. A word must earn its place—or out it goes.

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