Hi guys! Today, I’m celebrating my school’s homecoming! Roll Red Roll! Man, it’s pretty sad that this is my senior year homecoming–and my last homecoming as a high school student. I’m going to be celebrating as I cheer on my school at tonight’s football game. Roll Red Roll! Mark Falkin is here on the blog to talk about his latest book The Late Bloomer, which releases on October 16th from California Coldblood. It sounds really chilling and intriguing, so I hope you enjoy this interview and check out Mark’s book!
About the Book
Imagine THE STAND told with the intimacy of THIRTEEN REASONS WHY.
A keening wail heralded the end of the world.
It came from everywhere. After it passed, most of the world’s population was gone—either taken by a bizarre affliction or their own hand—leaving behind a stunned and altered race controlled by a shadowy superintelligence.
Opposing this threat are the late bloomers—teens for whom puberty was delayed.
Within these pages lies the transcript of a recording made by one of those late bloomers. His name’s Kevin March. When the apocalypse hit, he was about to get kicked out of his high school marching band for smoking pot. Kevin’s bright, wise beyond his years, and he just might be meant for something big in the new world order—if he can survive it.
Going on the run to find his little brother, Kevin teams up with his biggest crush, Kodie, and his best friend, Bass. The trio strike out across Texas in search of food, shelter, and answers.
Mark Falkin, bestselling author of Contract City, returns with a young adult thriller that combines shades of Lovecraft, Salinger, and Twain, all of it told in Kevin’s unforgettable voice.
The Late Bloomer releases from California Coldblood on October 16th. Pre-order it today!
1. Why do you love writing? When did you first have a love for writing, and how was it formed?
What Bernard Malamud said: I’d be too moved to say. But to try to say: It’s a compulsion. Naively, I think maybe it’s an attempt to explain life to myself. I don’t get any real solid answers, but sometimes I feel maybe I’ve got it cornered, this explanation.
In third and fourth grade I would make these holiday themed puzzle books for my classmates. I’d create this hand drawn book and ask my Dad to run off copies at work which he dutifully did, having his secretary do it. She stapled them too. The teacher was flummoxed and thrilled at my self-aggrandizing precociousness, helping me hand them out at home room around Halloween, Thanksgiving, Christmas, Valentine’s Day, and Easter. They were mini versions of those Highlights kids’ magazines and they uniformly contained a word search, a crossword, a maze you solved with your finger or pencil, hidden pictures, and flash fiction. Really flash—“I saw Santa in my living room on Christmas Eve and he’s sure fat alright.” The looks on my classmates’ faces trying to solve my puzzles, read my little story… oh, I was hooked then. Orwell wrote of the sheer egoism of the writer. I felt that glory in Third Grade.
Skip to high school and I found myself doodling epigrams in the margins of whatever we were doing in AP English class. These later bloomed into bad poetry. I did the bad poetry thing off and on through college and law school. In law school I thought I could do what Grisham did and write a novel my first year, that blistering 1L year. Um, no, I didn’t pull that off, but I did start a novel that I published ten years later.
2. What are your favorite books, genres, and authors? Which ones have impacted you and your writing style the most?
I can longlist some writers who combined form my lodestar: Stewart O’Nan, Daniel Woodrell, Douglas Coupland, Stephen King, Karen Russell, Barker, Palahniuk, Lethem, DFW, Ellis, Proulx, McCarthy, McGuane, William Gibson, Bradbury, Updike, Capote, Oates, TC Boyle, Sedaris. Steve Martin’s Cruel Shoes. Oh and Vonnegut, Kerouac, and the insufferable personality that is Hunter S. Thompson.
I cannot say who’s the most impactful, per se. I just know that these writers formed me.
Lately: Tommy Orange inspires me. Merritt Tierce inspires me. Emil Ferris inspires me. Billy Collins inspires me. Joan Didion inspires me. Kate Tempest inspires me.
3. What do you do when you’re not writing? Is writing a part-time or full-time job?
I’m a literary agent and erstwhile/recovering music and IP attorney. I wish writing was full-time, but then I’d miss out on my clients’, and clients-to-be, exciting new work.
4. Your upcoming YA dystopian novel The Late Bloomer chronicles one teen’s journey when a cataclysm strikes Earth, but it’s unlike any apocalypse seen in fiction. What inspired this end-of-the-world scenario? In your opinion, how does your novel stand out from other books in the apocalyptic/dystopian genre?
It’s an apocalyptic/postapocalyptic novel, not dystopian, and it’s not straight YA either. It’s a crossover novel. That’s not me saying that; that’s pro readers and other writers saying that, so.
Ultimately, I love the genre. What inspired me was that I wanted to write a horror novel that was unlike anything else out there and that was the scariest thing I could think of and what makes it scary isn’t just a set piece here, a set piece there, but something that holistically makes you shudder, making you feel something deeper than just simple fear but rather a resonating poignancy through the pathos. What makes this story unique is that it avoids the well-worn tropes. There are no zombies, viruses or virals, no doomsday asteroid, no aliens, no environmental cataclysm, no nuclear holocaust.
As far as direct inspiration, the three simultaneous sparks were these: There’s a line in Lord of the Flies that goes You knew, didn’t you? I’m part of you? Close, close, close! I’m the reason why it’s no go? Why things are what they are? and a little supernova exploded in my mind and I probably said behind clenched teeth in public “that’s it!” The book’s working title was No Go for a long time and was even initially pitched with that title. There’s that and there’s a certain work of fiction that I can’t disclose for spoilage reasons; the way it made, still makes, me feel . . . I approached this book at the outset from the standpoint of wanting to make the reader feel like I did reading that work. And then there’s this: a few people reading might remember these emails I used to send out during October years ago, I think 1998 through 2003. They were these epistolary little stories that came in bi-weekly installments that I called the Chronicles of Spooky Month which over the years got longer, less funny and more scary. In maybe 2012 I attempted to take a run at it again for fun and as a palette cleanser. I wrote a couple thousand words and put it away, never sending anything out. This was the impetus for The Late Bloomer. This book really is an all-grows-up, exploded version of that. Pure fun. Labor of love.
Hi guys! I am super excited to present to you all this month’s LILbooKtalk! Two of my favorite authors are here on the blog to talk about their backgrounds in the film industry and how their books are in the process of being adapted into movies! I had my heart being wrenched out in Brittany Goodwin’s YA debut If You’re Gone and in Jennifer Brody’s The Continuum Trilogy, and I cannot wait to see their film adaptations when they come out! I hope you enjoy this LILbooKtalk!
About If You’re Gone
Lillian White was planning for the perfect summer- spending every waking minute at the lake with her heartthrob boyfriend, Brad Lee. But her world is shattered when Brad mysteriously disappears the night of his graduation ceremony- the same night he tells her he loves her for the first time. After law enforcement dismisses the case, classifying Brad as voluntarily missing, Lillian becomes desperate to prove that he couldn’t have just walked away. Not from his family. Not from his friends. Not from her.
Heartbroken but determined to find answers, Lillian begins to uncover secrets from Brad’s past that force her to question everything she thought she knew about him and their relationship. Will the truth lead her to him? Or are Brad’s lies just the beginning of the mystery?
About The 13th Continuum
One thousand years after a cataclysmic event leaves humanity on the brink of extinction, the survivors take refuge in continuums designed to sustain the human race until repopulation of Earth becomes possible. Against this backdrop, a group of young friends in the underwater Thirteenth Continuum dream about life outside their totalitarian existence, an idea that has been outlawed for centuries. When a shocking discovery turns the dream into a reality, they must decide if they will risk their own extinction to experience something no one has for generations, the Surface.
Questions are in bold
Kester: The first author we have today is the amazing Brittany Goodwin, who is actually a local author from my home state of Tennessee! I loved her YA debut If You’re Gone, and I had the opportunity to meet her at SE-YA last year! Could you describe to us a bit about yourself and your book?
Brittany:Yes, and it was so fun to meet you last year! I grew up in Tennessee and lived here until I was 18, then started traveling around the country following my passion for acting and worked at different regional theaters, on a cruise ship, and eventually ended up in Los Angeles where I worked in some independent films. The whole time I was working on my novel If You’re Gone here and there but was more focused on the film side of things, and when I moved to North Carolina in 2010 I decided to write and direct my first feature film Secrets in the Snow. It was followed by the sequel, Secrets in the Fall, and once the second film released in 2014 I decided I was finally ready to focus on “If You’re Gone. So I spent a year writing the novel, which is a missing persons story about a teenage boy who goes missing, told from his girlfriend’s perspective. It released in June of 2016!
Kester: Your background is so awesome! Thanks so much, Brittany! Alongside her, we have the awesome Jennifer Brody, whose action-packed, post-apocalyptic The Continuum Trilogy is my favorite series of all-time! I had the pleasure of creating the questions for the Q&A that is featured in the back of the epic conclusion The United Continuums! Would you also like to share with us a few things about yourself and your novels?
Jennifer: Of course, and so fun to chat with you! I’m still sad we haven’t had a chance to meet IRL yet.
Kester: I know!!! Hopefully some day though!
Jennifer: I’m the author of author of the award-winning Continuum Trilogy. The first book The 13th Continuum sold in a 3-book deal and is being packaged into a feature film. Translation rights to my books have sold in multiple territories, most notably Russia and China. I also began my career in Hollywood. Highlights include working on The Lord of the Rings films, The Golden Compass, and The Texas Chainsaw Massacre. I live and write in LA (so howdy from the West Coast). Though I grew up in the Virginia Blue Ridge Mountains. So I also do both book and film projects. Several of my short stories are also being put together as films. They’re in various stages of the packaging process.
Kester: That’s so rad!!! Thanks, Jen!!! This next question is for both of you! I know you might have already mentioned it, but could you describe to us your backgrounds in the film industry? What inspired you to shift from producing movies to writing stories, and what was the transition like?
Brittany: I was focused only on acting for the early part of my film career, but as I started working on independent films I became fascinated with what went on behind the camera and wanted to tell stories of my own through film. I definitely felt like writing screenplays came easier to me than writing novels, because I knew I would be able to SHOW the audience instead of TELL. So If You’re Gone was a really big challenge for me but it was always in my head and I just knew I had to get it on paper. Then turning it into the screenplay was even more challenging because it had to be cut back a lot, which was tough to go from author to screenwriter. But it was fun. And worth it.
Jennifer: I wanted to take a shot at telling my own stories, not just giving them away to screenwriters we hired. And since I think it’s important right now to be really honest about it, one of the biggest reasons I shifted from Hollywood is related to the #metoo movement. I’ve worked for or with most of the big names in the news. And I got really tired of the bad practices toward women in the business and not being taken seriously for my talent and hard work. But I think there is a rare opportunity right now to have more control and come back into the process with the goal of putting strong content together with female and POC directors.
Brittany: Totally agree with Jennifer on how women and their work are viewed in the industry!
Jennifer: Yes, Brittany! And also that’s why I’m so impressed you directed films. I can’t emphasize how important it is to get more women behind the camera. I always worked as an executive or producer. I’ve never directed, but I’m thinking about it now finally. I’m sure we could trade industry stories.
Brittany: You definitely should! It is one of the most rewarding experiences. And I hope to keep including more and more women on my film crews.
Jennifer: Yes, that’s also so important! I was so excited the female cinematographer from MudBound got a nomination. If I direct, it will be a horror movie. I‘m going to get a few of my projects going with others first and then maybe go for it!
Brittany: Yes!! The first screenplay I ever wrote was a horror film. That’s so awesome. Remember you know a fellow author/actress!
Brittany: Sounds amazing! 🙂
Jennifer: Let’s go make something fun and scary! You’ll have to send me your films to check out or tell me where I can watch them.
Brittany: Definitely, would love to trade work.
Jennifer: Let’s do it! Look Kester, isn’t that cool?
Kester: It is!! I love this so much! It would be great to have you both collaborate on a project — you’d rock at it! Next question: How did your experiences in the film industry affect the creation of your stories? Did you write your books with a movie adaptation in mind? How is writing a novel different from writing a script?
Jennifer: Great question! I think I got two big things from working in development and producing—how to structure a story and also my writing has a very visual component to it. And yes, I always think about the film adaptation, partially because I love movies so much. And it would be a great to make the Continuum books into films. Fingers crossed—the big pitch is going out next week I think!
Brittany: That’s so exciting, Jennifer
Kester: Ahh, that is so awesome Jen!!! I wish you all the best with it!!
Jennifer: Thank you! We have a great screenwriter attached who is getting a lot of traction lately. And producers. So we shall see…
Brittany: I could always picture If You’re Gone as a film as I was writing the novel, and before I really cracked down on the novel I went back and forth between writing it as a screenplay and as a book. And even though I wrote both the screenplay and the novel, they are different in many ways because they translate differently on the page and on the screen.
Whenever I read any book I am ALWAYS thinking about it as a film! I love to read books that aren’t really in the main stream with the thought of turning them into a film myself. I have a stack of books I’ve had for YEARS that I would love to option as films at some point (if I ever run out of my own stories to tell lol).
Jennifer: That’s really cool Brittany! I do that too!
Kester: How do you think of your “dream cast” with your books? I know it’s popular for book bloggers to make them (I don’t have that talent though haha), but I’d love to hear your thoughts!
Jennifer: For The 13th Continuum, we plan to break new talent on the teen leads. My only hard ask is that we cast the roles with diverse actors (which is how they’re written in the books). Especially Myra—she has to be POC or biracial. I picture Octavia Spencer as Maude and Kevin Klein at Professor Divinus.
Brittany: That’s a really good question… honestly I can’t remember if I had a dream cast in mind before I actually started casting the film! Coming from the Indie side of things, I always have realistic expectations of budgets, etc, so I don’t think I ever thought Jennifer Lawrence would star in If You’re Gone or anything haha. But I do know when I saw the actors I ended up casting in If You’re Gone I knew immediately that they were right for the roles!
Jennifer: I’d love to work with Tessa Thompson again. My short story “200” is being adapted and directed by a really cool female screenwriter. I think Tessa could be perfect!
Jennifer: Yes, I can’t say who the writer is yet. But I can say that she’s one of the top writers in the industry right now. And she wants to direct, so she will make this her debut. It’s Philip K. Dick style SF.
Brittany: I will say, for the new screenplay (and novel) I am working on I definitely picture Shay Mitchell from Pretty Little Liars as the lead female! Maybe it could happen! 🙂
Jennifer: Oh nice choice! Netflix wants to do a lot of films and teen stuff right now. And they have a low budget division and lots of money. My old boss just produced #realityhigh for them.
Brittany: That’s awesome! I’m sitting here racking my brain on who your writer could be… heheh.
Jennifer: Well, she’s usually the only women in a lot of male writing rooms on big studio films lately. They just announced the one she’s writing now two weeks ago and it trended on Twitter. 😉
Brittany: I’ve been dying to leak the trailer for If You’re Gone and my producer says I can’t. So I’ve been good! Easier said than done though hehe.
Kester: It must be tough! I’m still happy for you, though, Jen! The movies are going to be epic!
Jennifer: Thanks and excited for the trailer Brittany!
Brittany: Thanks! Hopefully soon!
Kester: Brittany, what was the biggest challenge of turning a character-driven novel into a film, and how did you overcome it?
Brittany: The novel was all told from Lillian’s perspective, so the reader always knew exactly what she was thinking and because it is a faith-based novel there are several instances where she is silently praying. That was one of the trickiest things for me to figure out how to convey on screen without having a cheesy narration going on throughout the film. I had to choose the most important moments and figure out which silent thoughts needed to become dialogue and what could be told visually.
Overall, the film is a little darker than the book because of the style choices we made, but the story still comes through and I’m SO happy with how it is turning out in the editing room. So I think it worked!
Kester: That’s so great to hear, Brittany!!! I am super excited to hopefully see the movie come out in the future!
Brittany: Thank you!
Kester: Jennifer, what is it like writing a trilogy, and what are some of the challenges you faced?
Jennifer: The best part of a trilogy is getting to tell such an epic story and watch the characters grow and change. The hardest part was the third book The United Continuums. I was writing on deadline, and had so many POVs. I had to pay everything off and raise the stakes. I really didn’t want to write a bad third book. I’ve personally been disappointed by so many series as a reader. I didn’t want to deliver that experience.
You were one of my first readers, and that’s why it meant so much that you loved the book. It was so fun to have you do the Q&A. When my editor suggested adding one, you were my first thought.
Kester: Aww, thank you, Jen! I’m so happy that I got to read it and do your Q&A! It was so fun, and certainly it was both my pleasure and honor to do so!
Jennifer: You asked great questions and made it easy.
Brittany: Kester you are making quite a name for yourself!
Jennifer: He sure is.
Kester: It’s all thanks to all the love and support from authors like you! Before we end this LILbooKtalk, would you both like to share any advice to young readers and writers or even screenwriters and filmmakers who are viewing this discussion?
Brittany: For all the young people who want to write or get involved in film… just go for it! Write a short story and film it on your smart phone, do whatever you can just to make it happen! It can be a little scary to get started, especially if you’re self-taught like I am, but there are some amazing books out there you can read to learn about screenwriting, directing, etc. And never think you’re too young to try!
Jennifer: This probably sounds cliche, but don’t give up on your dreams. You will hear NO a lot, but believe in yourself and tell the stories you want to tell. Read a lot and watch a lot of films. Seek out other people with similar interests and classes and workshops so you can learn from the best. Don’t give up.
Kester: Brittany, Jennifer, thank you so much for taking part of this LILbooKtalk!!! I really appreciate everything you have done, and I definitely had such a fun time chatting with you both!
Brittany: Thank you for thinking of us, Kester!
Jennifer: Thanks Kester! This was a lot of fun.
As a screenwriter and author based in Nashville, TN, I am proud to have written the screenplays for two nationally-distributed films, Secrets in the Snow and Secrets in the Fall, both of which have been awarded five (out of five) Doves from the Dove Foundation.
I love to read and create stories with elements of faith and friendship, particularly ones with realistic female protagonists. At a young age I was drawn to the work of writers who added a slightly glamorized twist to the day-to-day lives of teens- Francine Pascal, John Hughes, and Ann M. Martin to name a few. I always found elements of myself in the characters these writers created and felt inspired by them. If Andi could fall in love with a boy from the other side of the tracks, I could find a prom date. And if the Babysitters Club could solve mysteries, so could I! The characters in my stories are meant to emulate the same emotions from readers. Even the most average protagonist can accomplish something extraordinary.
I live on a mini-farm with my wonderful husband, John, and our ever growing plethora of house pets (current count: 3 canine, 5 feline). With a cat on my lap and a dog at my side, I enjoy watching anything on Investigation Discovery Channel, web sleuthing via missing persons websites, DIY projects, and movie trivia.
Jennifer Brody is the award-winning author of the The 13th Continuum. Her book sold in a 3-book deal and is being packaged into a feature film. The book is a Gold Medal Winner (Young Adult – Sci-Fi/Fantasy) from theIndependent Publisher‘s Moonbeam Children’s Book Awards. Return of the Continuumsand The United Continuums complete this epic trilogy. Translation rights to her books have sold in multiple territories, most notably Russia and China. Her short fiction appears in the From the Starsanthology and Common Deer Press’ Short Tails. She is a graduate of Harvard University (magna cum laude), a creative writing instructor at the Writing Pad, and a volunteer mentor for the Young Storytellers Foundation. She’s also a board member for the non-profit writing competitions the Roswell Award and the Tomorrow Prize. After studying film at Harvard University, Jennifer began her career in Hollywood. Highlights include working for Platinum Dunes and New Line Cinema, most notably on The Lord of the Rings films, The Golden Compass, and The Texas Chainsaw Massacre. She also produced the feature film Make It Happen starring Mary Elizabeth Winstead and Tessa Thompson. She lives and writes in LA, where she’s hard at work on her next book.
She is represented by Deborah Schneider (Gelfman Schneider/ICM Partners), Josie Friedman (ICM) for TV/Film, and Curtis Brown for UK and foreign rights.
Thanks so much again to Jennifer Brody and Brittany Goodwin for agreeing to do this LILbooKtalk! I hope you all enjoyed this online discussion panel, and if you’d like to talk about any aspect or question of the discussion, please comment below!
Comment below, or find me in one of my social media pages, and let’s chat!