Hi guys! To be honest, I have not read that many horror novels in my lifetime. The most recent one was The Lairdbalor by Kathleen Kaufman, and although I wish I had enjoyed that book much more than I actually did, I am really excited for The Gravedigger’s Son by Patrick Moody. I am actually ready to be scared to my bones! Today, I have the wonderful opportunity to interview the book’s amazing author, and I’ve certainly enjoyed writing his questions and reading his answers. I hope you have the chance to check out his novel!
About the Book
“A Digger must not refuse a request from the Dead.” —Rule Five of the Gravedigger’s Code
Ian Fossor is last in a long line of Gravediggers. It’s his family’s job to bury the dead and then, when Called by the dearly departed, to help settle the worries that linger beyond the grave so spirits can find peace in the Beyond.
But Ian doesn’t want to help the dead—he wants to be a Healer and help the living. Such a wish is, of course, selfish and impossible. Fossors are Gravediggers. So he reluctantly continues his training under the careful watch of his undead mentor, hoping every day that he’s never Called and carefully avoiding the path that leads into the forbidden woods bordering the cemetery.
Just as Ian’s friend, Fiona, convinces him to talk to his father, they’re lured into the woods by a risen corpse that doesn’t want to play by the rules. There, the two are captured by a coven of Weavers, dark magic witches who want only two thing—to escape the murky woods where they’ve been banished, and to raise the dead and shift the balance of power back to themselves.
Only Ian can stop them. With a little help from his friends. And his long-dead ancestors.
Equal parts spooky and melancholy, funny and heartfelt, The Gravedigger’s Son is a gorgeous debut that will long sit beside Neil Gaiman’s The Graveyard Book and Jonathan Auxier’s The Night Gardener.
1. Why do you love writing? When did you first have a love for writing, and how was it formed?
First, thanks so much for hosting me, Kester!
I love writing because I’ve always been a daydreamer. I’ve always had stories in my head, or at least little snippets of stories, thinking up fantastical places and people, heroes and villains, dangerous quests and spooky castles. Growing up, my mind was filled with “what ifs”. I think, in all honesty, that I never really grew out of playing make believe. I love writing because if I didn’t, I wouldn’t be fulfilled creatively.
2. What are your favorite books, genres, and authors? Which ones have impacted you and your writing style the most?
My favorite genres are fantasy and horror. Science Fiction is up there as well, and a bit of magical realism, too. I think the most impactful writer in my childhood was Robert Jordan. My father was a fan of his, and had his entire Wheel of Time series. I remember climbing up onto the bookshelves and staring at those incredible covers, completely spellbound. Aside from Goosebumps and Lloyd Alexander, I never really read for my age group. I jumped right into epic fantasy. Terry Brooks came next, followed by Peter S. Beagle and Ursula K. Leguinn.
Beagle has influenced me more than any other writer. I think The Innkeeper’s Song is the most beautiful fantasy ever written.
As for favorite books, ‘Salem’s Lot by Stephen King & Dandelion Wine by Ray Bradbury have always been close to my heart. Recent favorites include The Girl Who Drank the Moon by Kelly Barnhill and The Sorcerer’s House by Gene Wolfe. I’ve also really enjoyed a few short story collections by Kelly Link.
3. What do you do when you’re not writing? Is writing a part-time or full-time job?
When I’m not writing, I’m usually reading. It seems my TBR pile gets bigger every time I turn around. I think it’s growing on its own! Maybe that’ll be my next book?
For me, writing isn’t really a job. It’s a passion. A need. I do have a full time job as a middle school custodian. It’s really great for my writing. Nice and quiet, with plenty of time to think. I write for one hour a day, on my lunch break. I feel that setting a time limit really helps. On my days off, I always tell myself, “Okay, lets get writing. You’ll get so much done!”…Until I turn on the tv or crack open a book. Having the structure of writing at work really helps. Otherwise, I get way too distracted.
4. Your MG debut novel The Gravedigger’s Son tells the tale of Ian Fossor, who feels conflicted between his desire to become a Healer and his family’s lineage as Gravediggers. As he is Called to help the soul of a young boy, he finds himself fighting against a group of witches bent on seeking revenge and power. Would you be a Gravedigger or a Healer? How do you explore the themes of life and death, good and evil, and following your dreams versus your family’s expectations in your novel?
That’s a tough one! Gravediggers and Healers both help people, but one helps the Living while the other helps the Dead. I think I’d like to be a Gravedigger, since they deal with a certain amount of magic and mysticism. Healing is noble, but I’d be too worried about messing something up. I was never too good in biology or anatomy class!
Exploring the concept of death can be tricky, especially when writing for a MG audience. In terms of religion, I kept everything utterly vague and set it in a fantasy realm. I also had to do it in a way that wasn’t too bleak (I hope), so I knew that I needed a lot of comic relief. That came in the form of Bertrum, Ian’s grumpy but loving undead tutor. And it comes later with Thatcher Moore, the skeleton who refuses to stay dead. One of the main struggles in Ian’s life is the fact that he lost his mother at a young age, and though he’s growing up in a family that has the power to speak to the Dead, he knows he’ll never be able to reach her…or so he thinks. I liked the idea of having something so important being just out of his reach. It makes for a melancholy character, but a sympathetic one. Ian knows that death is a serious business. There’s a big part of him that really despises the whole notion of it (which is probably true for most of us), but as the story progresses, he discovers that death is far from the end.
Good and evil was also something I wanted to explore, but I knew that I didn’t want to make it so black and white. In the story, Ian comes across a coven of Weavers, or dark magic witches. At first, they seem to be completely evil. Yet as the conflict reaches its climax, Ian realizes that their evil deeds are coming from a place of great pain, and in the case of the younger Weavers, a place of learned ignorance. I never like stories of completely flawless heroes vs. completely evil villains. That’s been done before, and I think it’s (thankfully) becoming a dying trope. Everyone has the capacity to be good and bad. There are a thousand shades of gray. You never know what might drive a good person to do something bad, or a bad person to do something good. We all handle things differently. I wanted to write about characters who struggle with righting past wrongs. Naturally, they all have a lot of emotional distress, their morality is clouded, and that heavy baggage can lead to some pretty drastic action.