Hi guys! Today I am at the TN All Northwest Honor Choir festival, and this is my SIXTH and final year to be part of such an amazing program. I will truly miss it when I graduate–certainly it’s one of the highlights of each school year. My review today will be about The Hazel Wood by Melissa Albert, a creepy fairy tale-filled YA debut from earlier this year. I hope you enjoy!
About the Book
Seventeen-year-old Alice and her mother have spent most of Alice’s life on the road, always a step ahead of the uncanny bad luck biting at their heels. But when Alice’s grandmother, the reclusive author of a cult-classic book of pitch-dark fairy tales, dies alone on her estate, the Hazel Wood, Alice learns how bad her luck can really get: her mother is stolen away―by a figure who claims to come from the Hinterland, the cruel supernatural world where her grandmother’s stories are set. Alice’s only lead is the message her mother left behind: “Stay away from the Hazel Wood.”
Alice has long steered clear of her grandmother’s cultish fans. But now she has no choice but to ally with classmate Ellery Finch, a Hinterland superfan who may have his own reasons for wanting to help her. To retrieve her mother, Alice must venture first to the Hazel Wood, then into the world where her grandmother’s tales began―and where she might find out how her own story went so wrong.
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Disclaimer: I received a free finished copy of this book from the publisher for review consideration. This will not affect my review.
Before I start, let me tell you that The Hazel Wood is one of the beautifully haunting novels I’ve ever read. I read horror very occasionally—it’s not something that I read too much of. However, when I first read The Hazel Wood, I could not set the book down at all. It was so intriguing and suspenseful that I had to devour the chilling narrative and mystical storytelling. I wish I could rate this book higher—I did enjoy it very much—but the ending is what kind of “ruined” it for me. I did not feel very satisfied to be honest. It was as if the lead-up was so mesmerizing with its creepiness and its adventure but then the drop-off was disappointing.
Although I’m not a horror person, the feeling that I love regarding such stories is not being scared but being creeped out. I think that’s why I loved the two stories—“Alice Three-Times” and “The Door That Wasn’t There”—the most. I wish there was more backstory to the novel, though; I wanted more of the stories. Rather than seeing the character of Thrice-Killed Katherine, I wanted to actually know her true story and her true background. Instead, all Melissa Albert includes is just two out of the twelve stories listed and features and alludes to characters from the rest. Honestly, if Albert writes a novel with all of the Tales from the Hinterland, I would read it. Overall, the author’s writing style perfects the eerie tone that makes horror novels both creepy and beautiful. The story definitely gave me chills that I felt right down my spine.
I loved The Hazel Wood until the very end—this is where it began to unravel for me. Firstly, although the author stated that her novel was not intended as an Alice in Wonderland retelling, The Hazel Wood does draw a lot of parallels between their counterparts that share the same name. (I have nothing against this; I just wanted to point it out.) Alice Prosperine’s journey follows the typical “hero’s quest,” but when the climax arrived and Alice reached the self-knowledge she was searching for the entire time, it felt disappointing. Without getting into any spoilers, the revelation was easily predictable—I didn’t expect the realization but I really did not see it coming. I felt it was too predictable from the beginning, like the hints were too obvious and not that subtle. (They were like road signs that say “Hey! Look at me!” but you end up overlooking them.) There were details that I did not like and that I could not reconcile with the rest of the story and world-building. Some events and stories did not have a lot of importance or effect—for example, while I loved the inclusion of the “The Door That Wasn’t There” story, it had very few contributions to the actual plot. I did see how it was “important” to the understanding of some details, but for me, it was not as effective in terms of reasoning behind its addition. (I loved the story and wanted more of it, but I feel like its addition was not that necessary.) While Albert’s writing style is superb from the start, the story structure wasn’t the best.
Overall, The Hazel Wood had a lot of potential with its intriguing premise and its chilling narration, but its execution could have been cleaner. Certainly, until the very end, it was beautifully mesmerizing and horrifying. I think twisted fairy tale lovers and classic horror fans will enjoy venturing into The Hazel Wood.
“We make up horrors to help us cope with the real ones.” — Stephen King
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